11/30/2023 0 Comments Florian leonhard nyc![]() Some are of the opinion no one outside the big ticket European countries can compete with European instruments, but I would dispute that. I know no one asked, but have you considered going American/Canadian? Now there's your price break. Unless he's the devil in disguise, talent alone likely won't earn you much :) Fine musicians are more plentiful than fine luthiers. Eric, you are probably correct in your assumption.So there’s a great synergy between my work, the work of my clients, and the work of Florian and his team. I have regular, direct access to string players of all levels – from leading soloists, chamber and orchestral players to conservatoire professors and students. ![]() Her excitement at the ‘look, feel and sound’ of a Leonhard copy meant that she was instantly engaged by the thought of representing a very different kind of client ‘both so that the quality of these new instruments could be better known, and also that violinists who’d long dreamt of owning a Stradivarius were able play on something just like it. Leonhard’s manager at ICA, Alexandra Knight, is herself a violinist by training. Leonhard is also passionate about loaning quality instruments to solo performers, the challenge being to find a really good match – a process he’s described as ‘a bit like running a dating agency.’ Clearly I especially want the best players to get their hands on one.’ ![]() It’s all about targeting musicians who may like to have one of my violins. For ICA I think it will be much like representing any artist. The warmth of Stephen Wright’s personality and his ability to open doors convinced me to agree to work with him. Few violin makers have that sort of access to great instruments … it takes you far beyond what you can tell just by working from photographs.’Īs for the new relationship with ICA? Leonhard is ‘Delighted. He sees his strengths as a maker stemming in large part from the fact that his violin-making is grounded in an all-round expertise ‘as a restorer, authenticator, owner and trader of quality historic violins. Leonhard has been making violins since student days, but only in more recent years has he been willing to sell. After intensive studies at the Mittenwald violin-making school, he came to London at the age of 22 to work with industry giant W E Hill & Sons, becoming head restorer. German-born Florian Leonhard dates his obsession from childhood, to the morning when over breakfast he happened to closely scrutinise his mother’s violin and very swiftly saw where his future should lie. ![]() That was when it became clear to me that Florian, like any other artist, should have representation in order to best spread word of the quality of his work.’ ‘I saw first-hand the initial scepticism melt into disbelief upon playing the instrument. ICA stepped in when its chairman/head of artist management Stephen Wright witnessed one of the artist management office’s ‘more discerning violinists’ try out Leonhard’s copy of the 1742 ‘Lipinski’ Guarneri del Gesù. The fact that violinists of the stature of Leonidas Kavakos, Maxim Vengerov and Daniel Hope are among Leonhard’s clients tells its own story. ![]() With the background of an international reputation as ‘the Sherlock Holmes of violin authentication’, Leonhard is renowned for his copies of great instruments. Now I note that the International Classical Artists office has just taken on the representation of London/New York-based violin maker and restorer, Florian Leonhard. As I often point out in this column, the portfolio of activities in which artist managers involve themselves has markedly diversified over recent decades. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |